Hank Willis Thomas
Absolut No Return, 2008

Lightjet print
147.3 x 93.9cm
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Hank Willis Thomas’s 2008 work *Absolut No Return* offers a powerful commentary on the transatlantic slave trade through a reimagined image of the “Door of No Return” at Cape Coast Castle in Ghana. Shaped like an Absolut vodka bottle, the image draws a provocative link between global commerce and historical trauma. By fusing a symbol of contemporary consumer culture with a site of deep historical pain, Thomas underscores the role of trade—including the exchange of liquor—in enabling slavery, inviting reflection on the enduring legacy of exploitation and commodification.

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    Love and Hate, Hate is Love, 2020