Misheck MasamvuMidnight Bloom, 2022






Exhibited at the 5th Aichi Triennale in Japan, ‘Midnight Bloom’ was created during a period of global lockdown, when physical stillness gave way to psychological unrest. In this painting, Misheck Masamvu channels that tension into a surface that feels both expansive and claustrophobic. Layers of gestural brushwork and saturated colour converge into a restless, teeming landscape where form is in constant negotiation. Figures emerge and recede, as if caught in the act of becoming, partially submerged in a world that is blooming, collapsing, and remaking itself all at once.
Rather than offering a resolved image, ‘Midnight Bloom’ invites an extended act of looking. Masamvu’s expressive mark-making conceals as much as it reveals, creating a visual terrain where meanings must be searched for, rather than received. The composition resists clarity, instead inviting the viewer to navigate its ambiguity – to interpret, to project, to linger. In this work, the bloom is not serene or contained, but unruly and unresolved, suggesting a moment of transformation that is as fragile as it is vital.