Mikhael Subotzky
View through the windows of the old "Non-White" section of Cape Town Station, 2023
Inkjet print on Baryta
118 x 168 cm
Mikhael Subotzky
A Cape Town Landscape, 2024
Pigment Ink and paper on J-Lar tape
955.6 cm
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Mikhael Subotzky
Self-Portrait/ George Fading, 2024
Oil, acrylics, J-Lar tape, gel medium on Canvas
120 x 150 cm
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Mikhael Subotzky
Howls in the Bones of My Face, 2023
Oil, Ink, micopore, pigment pencil and J-Lar tape on linen
102.5 x 72 cm
Mikhael Subotzky
The Porterville Galleon, 2023
Inkjet print on Baryta
30 x 42.71 cm
Mikhael Subotzky
Simphiwe cleans the moat of the Castle of Good Hope, 2024
Inkjet on Baryta
118 x 168 cm
Mikhael Subotzky
The Occult Significance of Blood (or Abattoir at the Voorberg Prison) , 2019
Ink on found book cover
18.3 x 24 cm
Mikhael Subotzky
View of the facade of the old "Non-White" section of Cape town station (3446), 2024
Inkjet print on Baryta
30 x 42.71 cm
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Mikhael Subotzky
Between Life and Death (or Student Photograph of Attie at the Constantia Muslim Cemetery), 2019
Ink on found book cover
22.2 x 30.3 cm
Mikhael Subotzky
Study for Home Building Ideas in South Africa, 2019
Ink on found book cover
28 x 30.4 cm
Mikhael Subotzky
Cello Piece (or The Occult Significance of Blood), 2024
Cello, single channel film, sound
200 x 50 x 30 cm
Mikhael Subotzky
Cape Town Landscape - B-Side IV, 1800 – 2024
J-Lar tape mounted to canvas
100 x 158.4 x 2.5 cm
Mikhael Subotzky
A Cape Town Landscape - B-Side II, 1800-2024
J-Lar tape on canvas
158.4 x 100 x 2.5 cm
Mikhael Subotzky
Hermanus at Mariam's Kitchen II, 2023
Archival ink on Baryta paper
168 x 118 cm