William Kentridge
Untitled (Drawing from Wozzeck 30), 2016
Charcoal and red pencil on Hahnemuhle paper
57 x 78cm
William Kentridge
Untitled (Drawing from Wozzeck 15), 2017
Charcoal on paper
Work (each)
William Kentridge
Untitled (Drawing from Wozzeck 5), 2016
Charcoal and red pencil on Velin Arches Cover White (440gsm)
121 x 160cm
William Kentridge
Untitled (Drawing from Wozzeck 14), 2016
Charcoal and red pencil on Hahnemuhle paper
60 x 80 cm
William Kentridge
Drawing from Wozzeck (6), 2016
Charcoal and red pencil on Velin Arches Cover White (440gsm)
Work: 121 x 160 cm
William Kentridge
Untitled (Drawing from Wozzeck 49), 2016
Charcoal and red pencil on Hahnemuhle paper
121 x 160 cm
William Kentridge
Bunch of Flowers in a Vase (Struggle for a Good Heart), 2017
Lithographic print on Korean paper
169 x 128 cm
William Kentridge
Triumph of Bacchus, 2016
Lift Ground Aquatint etching on 100% Hemp Phumani handmade paper, Mounted on raw cotton cloth
164 x 153,5 cm
William Kentridge
Marcus Aurelius, 2016
Lift Ground Aquatint etching on 100% Hemp Phumani handmade paper, Mounted on raw cotton cloth
163 x 156 cm
William Kentridge
Garibaldi, 2016
Lift Ground Aquatint etching on 100% Hemp Phumani handmade paper, Mounted on raw cotton cloth
157,5 x 147,5 cm
William Kentridge
Blue Rubrics , 2017
Lapis Lazuli pigment prints on found Latin Thesaurus paper, Set of 16
44 x 53 cm
William Kentridge
A Burning Clarity - Gone, 2017
Carved wood, collage and wooden plinth
Sculpture: Approx 39.5 x 42 x 28 cm
Plinth: 100 x 42 x 34 cm
Collage: 160 x 110 cm
William Kentridge
World Without Weight , 2017
Carved wood, collage and wooden plinth
Sculpture
William Kentridge
Slow Feet Hold Their Ground, 2017
Carved wood, collage and wooden plinth
Sculpture
William Kentridge
The Most Comfortable Chair, 2017
Carved wood, collage and wooden plinth
Sculpture
William Kentridge
By Which Is Meant , 2017
Carved wood, collage and wooden plinth
Sculpture
William Kentridge
Ampersand, 2017
Bronze
85 x 82 x 54 cm
William Kentridge
Fill, 2017
Bronze
Work: 86 x 86 x 49 cm
William Kentridge
Ring, 2017
Bronze
70 x 89 x 72 cm
William Kentridge
Untitled (Lexicon), 2017
Lithograph on 300g Velin d'Arches
135.5 x 99.5cm
William Kentridge
Countess Geschwitz, 2016
Linocut on Hahnemuhle 300gsm
59.3 x 42.8cm
William Kentridge
Lulu, 2016
Linocut with hand painting on Hannemuhle 300 gsm
52 x 52.5 cm
William Kentridge
Madame Manet, 2017
Handwoven Mohair Tapestry
Work (approx)
William Kentridge
Monsieur. Manet, 2017
Handwoven Mohair Tapestry
Work (approx)
William Kentridge
Tummelplatz, 2017
Carved wood, collage and wooden plinth
Sculpture
William Kentridge
Drawing for Love Songs from the Last Century, 2017
charcoal, pastel and collage on paper
115 x 582 cm
William Kentridge
Skeletal Horse, 2017
Lift Ground Aquatint etching on 100% Hemp Phumani handmade paper, Mounted on raw cotton cloth
163.5 x 153 cm
William Kentridge
Untitled (Drawing from Wozzeck 35), 2016
Charcoal and red pencil on Hahnemuhle paper
121 x 160 cm
William Kentridge
That Which I Do Not Remember, 2017
Relief, printed from 12 woodblocks on Somerset Velvet, Soft White, 300 gsm. Final work comprised of 28 individual sheets adhered by 47 Aluminum pins.
209.3 x 199.5 cm (edges irregular)
William Kentridge
Mantegna, 2016-2017
Relief printed from 13 woodblocks and one linoleum block on Somerset Velvet, Soft White, 300 gsm. Final work comprised of 21 individual sheets adhered by 37 Aluminum pins
200 x 200 cm
William Kentridge
The Flood, 2016
Relief printed from 11 woodblocks on Somerset Velvet, Soft White, 300 gsm. Final work comprised of 15 individual sheets adhered by 30 aluminum pins
181 x 213 cm
William Kentridge
Refugees (You will find no other seas), 2017
Lift Ground Aquatint etching on 100% Hemp Phumani handmade paper, Mounted on raw cotton cloth
169 x 243 cm
William Kentridge
Lampedusa, 2017
Relief, printed from 12 woodblocks on Somerset Velvet, Soft White, 300 gsm. Final work comprised of 28 individual sheets adhered by 47 Aluminum pins.
207 x 119 cm