08 Nov - 01 Dec 2018
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Waiting is an exhibition of new work by Sam Nhlengethwa exploring the myriad ways in which we find ourselves occupied by this state of being.

What are we waiting for? In certain works, the answer appears self-evident: an empty stage of instruments on stands overlooking a packed audience, a person loitering beside a pole, a group of commuters on the side of the road. But upon closer inspection of these quotidian scenes, more questions arise. Who is doing the waiting? What qualities do these people share?

For Nhlengethwa this theme emerges from universal experience. ‘We all see people waiting and sometimes we become victims of waiting,’ says Nhlengethwa.
Sam Nhlengethwa - Waiting

By depicting these scenarios through the rich figurative mediums of lithographic prints, mixed media collage and tapestry, Nhlengethwa vividly draws our attention to this distinction, making us acutely aware of the stories of waiting experienced in the everyday lives of South Africans. And through his ongoing depiction of mineworkers, also reflecting the harsh lived realities more hidden from view.

As one of South Africa’s preeminent artists, Nhlengethwa has established himself by conveying this sort of nuance through his work. Over his several-decade career he has employed a signature style of collage that brings together archival material and painting to tackle subjects ranging from cityscapes to jazz musicians, artists and political figures.

Sam Nhlengethwa - Waiting
Sam Nhlengethwa - Waiting
Sam Nhlengethwa - Waiting

This latter subject matter features on Waiting in the form of a collaged sepia photo of a young Winnie Madikizela-Mandela seated in a brightly painted living room. ‘When black and white creeps into the paintings it recalls the past. It is a form of worlds colliding,’ says Nhlengethwa. By incorporating this poignant historic reference into this exhibition, Nhlengethwa reminds us that our past needs to be constantly reevaluated. In this sense we are all waiting for our present history to unfold.

Artworks

sam-nhlengethwa
B. 1955, South Africa
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Artist Bio

Sam Nhlengethwa (b. 1955, Payneville, Springs) part of a pioneering generation of late 20th century South African artists whose work reflects the sociopolitical history and everyday life of their country. Through his paintings, collages and prints Nhlengethwa has depicted the evolution of Johannesburg through street life, interiors, jazz musicians and fashion.

Nhlengethwa was born in the Black township community of Payneville near Springs (a satellite mining town east of Johannesburg), in 1955 and grew up in Ratanda location in nearby Heidelberg. In the 1980s, he moved to Johannesburg where he honed his practice at the renowned Johannesburg Art Foundation under its founder Bill Ainslie. Nhlengethwa is one of the founders of the legendary Bag Factory, in Newtown, in the heart of the Johannesburg CBD, where he used to share studio space with fellow greats of this pioneering generation of South African artists, such as David Koloane and Pat Mautloa.

In 2014, a major survey exhibition, titled 'Life, Jazz and Lots of Other Things,' was hosted by SCAD Museum of Art in Savannah, Georgia, which was then co-hosted in Atlanta by SCAD and the Carter Center.

Nhlengethwa’s practice features in important arts publications, such as Phaidon’s The 20th Century Art Book (2001).

Other notable exhibitions and accolades in South Africa and around the world include: in 1994 – the year South Africa held its first democratic elections – Nhlengethwa was awarded the prestigious Standard Bank Young Artist of the Year award; in 1995, his work was included in the Whitechapel Gallery’s 'Seven Stories About Modern Art in Africa' in London; in 2000, he participated in a two-man show at Seippel Art Gallery in Cologne.

Group exhibitions include: 'Constructions: Contemporary Art from South Africa,' Museu de Arte Contemporanea de Niteroi, Brazil (2011); 'Beyond Borders: Global Africa,' University of Michigan Museum of Art, Michigan (2018).

Biennales include: 6th Beijing Biennale in (2015); 55th Venice Biennale, as part of the South African Pavilion, titled Imaginary Fact: Contemporary South African Art and the Archive (2013); 12th International Cairo Biennale (2010); 8th Havana Biennale (2003); Southern African Stories: A Print Collection, CCA (Caribbean Contemporary Arts), Trinidad (2002).

Collections include: Johannesburg Art Gallery (JAG), Durban Art Gallery (DAG), Iziko South African National Art Gallery (ISANG), Standard Bank’s Head Office, Absa, Botswana Art Museum, Museum of Fine Arts Houston, amongst many in South Africa and abroad.

Nhlengethwa lives and works in Johannesburg, South Africa.

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