
At the Barnes Foundation, “Sue Williamson & Lebohang Kganye: Tell Me What You Remember” was a two-woman show organized by Emma Lewis, a curator at Turner Contemporary in Margate, England. The exhibition featured photographs, videos, and mixed-media installations that revisit the artists’ memories of growing up in South Africa, where they both continue to live and work (Williamson in Cape Town, Kganye in Johannesburg). In the postapartheid era, memory remains a contentious and political zone, one that continues to divide South Africans between those who seek to fortify the dominant narrative of a liberated polity and those who challenge the veracity of this claim.
Since the 2015 Rhodes Must Fall movement&#—a student-led revolt aimed at taking down a statue of the British imperialist Cecil Rhodes at the University of Cape Town, which led to a push in decolonizing the sociopolitical and educational systems across all of South Africa&#—the dubious claim that democracy delivered “freedom for all” has become even more specious. “Tell Me What You Remember” partly presupposed, and even undermined, this bifurcation in memory through its title. But how do we recall and remain attentive to a past that refuses to stay there?
Related Press
See AllKeely Shinners's Essay on Sue Williamson’s Exhibition at Iziko South African National Gallery, Cape Town
e-flux04 Apr 2025The Long and Short of a 50-year Artistic Career: A Feature on Sue Williamson
Mail & Guardian26 Jul 2024EMPIRE LINES podcast discuss the group show Against Apartheid at KARST
Empire Lines12 Nov 2023Sue Williamson’s Funereal Vitality
Art Review28 Mar 2023An artistic unfolding of the complexity that is SA’s terrible past
Business Day18 Jun 2021Sue Williamson Explores South Africa’s Painful History
Financial Times20 Feb 2021