
Grada Kilomba is one of the most respected voices on the international art scene. Born in Lisbon, she grew up in the Sintra and Mercês neighborhoods, and soon settled in Berlin, where she lives and works between the big city and, more recently, the town of Sintra. Her widely recognized works are part of some of the world's most important collections, exhibited in major museums, and seen as an important contribution to the discussion on issues of identity in a global context.
Grada Kilomba develops an artistic practice grounded in an attention to form, image, movement, sound, and language. Her work is not based on the idea of representing content, but rather on the need to find, for each narrative, a form that sustains it, anchored in a sensitive architecture where experience can emerge. In her immersive, large-scale installations, Kilomba tells stories, poses questions, and explores the concepts of memory, trauma, repetition, cyclical violence, and postcolonialism, using video, performance, spatial, sculptural, and sound installations.
«I work with the incomprehensible, each work is a letter of a new alphabet to try to understand what has never been understood.»
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See AllGrada Kilomba’s 'Opera to a Black Venus' at Staatliche Kunsthalle Baden-Baden
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Frieze29 Dec 2023EMPIRE LINES podcast discuss the group show Against Apartheid at KARST
Empire Lines12 Nov 2023Grada Kilomba's Interview on Excavation of History in Frieze Magazine
06 Jul 2022Grada Kilomba is Reviewed by the New York Times for her show at Amant, New York
The New York Times12 Oct 2021How Grada Kilomba Turned Her Study of Psychoanalysis and PTSD Into an Artistic Practice That Confronts Collective Trauma
Artnet23 Sep 2021